I hope to God it’s good.

“Finished this day — and I hope to God it’s good.”
— John Steinbeck, upon completing The Grapes of Wrath

It’s not likely to be as good as Steinbeck, but I have just finished the second draft of my sequel to Greetings from Coldwater. Surprisingly, it bears a closer resemblance to the draft I posted here this spring than Greetings from Coldwater’s second draft bore to its first. This probably has something to do with the fact that I was working from an outline and actually had an idea of where I was going this time.

I’m still not completely happy with the last chapter, but the rest of it feels solid, and a friend from church who very much enjoyed Greetings and the first draft of this still-untitled prequel/sequel has agreed to give it an edit. I’m looking forward to his feedback.

It’s been a ride. I know more about Celtic mythology now than I ever imagined I’d need or want to know four years ago, when Miss Shirley began bugging me in earnest for a prequel, or even seven months ago, when I sat down with a stack of real books and a Kindle full of ebooks and began taking notes. If my interior monologue is worth a damn, I owe Beverly Cleary a beer. If my fantasy elements are worth a damn, I owe J.K. Rowling and the late Rudolfo Anaya a beer. If the dialogue is worth a damn, I owe Quentin Tarantino a beer. And if the book reaches its final form before Oxford University’s COVID-19 vaccine goes into mass production, I probably owe the notorious M.L.G. (New Mexico Gov. Michelle Lujan Grisham) a beer. That shelter-in-place order lit a fire under me and gave me a nice block of time without a lot of distractions to get this project to this point much faster than I would have otherwise.

As the Dead once said: “What a long, strange trip it’s been.”

Emily

Work in Progress

Amid all my other projects, I decided to create a houseplant-themed mural in my office to use up some leftover paint. I’ve been working on it, a few minutes here and an hour there, for about a week and a half. Here’s how it’s been going so far:

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  The jungle thus far.

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  Burgundy rubber tree.

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  Fiddle-leaf fig. Paint kept drying before I could blend it.

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  I really like the Monstera deliciosa.

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  Monstera leaf in progress.

The big challenge of painting in the desert is that acrylic dries almost instantly, so you have to work really fast and do really small sections at a time to keep it from drying before you finish blending it. It doesn’t help that my office is hot in the afternoons, and most of the paint is several years old. The latex tends to get thick as it ages, which makes it dry out even faster. Still, it’s been a while since I painted a mural solely for my own enjoyment, and this is a pleasant way to use up some leftover paint I’ve had on hand for upwards of 10 years.

Emily

School’s Out

NOTE: This is part of the new novel I am writing. I am posting it here as a diversion for readers who may be living under shelter-in-place policies while the world waits for the coronavirus pandemic to pass. For an explanation of this project, please click here.

School’s Out
5 p.m. May 23, 2019 ~ Coldwater High School, Coldwater, N.M.

Holly watched the last vehicle pull out of the parking lot. Her work was far from finished — it would never be finished; not until she retired, at least, and that was still a good decade away — but the year was finally over, and she could quit worrying over day-to-day crises and focus on getting ahead of the paperwork that had been trying to drown her since August.

She sank into the aging office chair behind her desk and massaged her temples, wincing. She’d been battling a sinus headache for a month, ever since the upperclassmen had decided to hold their own after-prom at the abandoned church near Cuervo and three of them hadn’t made it back alive.