Tag Archives: New Mexico

More artwork

It’s been an artsy sort of weekend. I made a double batch of hot-process soap yesterday and had enough time left to paint the prototype for my next mural, which is going on the side of Tee Pee Curios on Route 66 in Tucumcari the first week in October:

kokopelli

I’m looking forward to that project, although I’m a little antsy about having to work so high up off the ground. This mural is going on the side of a building that’s quite a bit taller than the garage walls I painted last spring. We’ll see if the magic of New Mexico is powerful enough to override my acrophobia.

I’ve also been using every spare minute to add more book illustrations. I’m looking at about 28 images by the time I finish. Here are the most recent ones:

officeweb

journalweb

letterweb

laundryweb

pickweb

smokeweb

scoutsweb

milagroweb

dianaweb

snakeweb

cellsweb

monolithweb

Each image precedes a chapter and represents something significant from that chapter. You’ll have to read the novel to find out what a neon sign, a journal, a letter on motel stationery, a clothesline, a guitar pick, a burning cigarette, a snow cone, a milagro, a toy camera, a gopher snake, a seventh-grader’s biology assignment and a replica of the monolith from 2001: A Space Odyssey have to do with the story.

Barring any unforeseen circumstances, I’m about four illustrations away from being able to submit this thing for publication, although I’m sure I’ll spend at least another week fussing over it before I work up the nerve to send it out into the world.

Emily

I’ve been busy.

Yes, I’ve subjected this blog to a shameful degree of neglect this summer. Here’s what I’ve been working on:

That’s right, kids. I’m about an eyelash away from being ready to publish Greetings from Coldwater. I’m anticipating a fall release on the Kindle version and — God willing — a paperback edition in time for Christmas. I shot the trailer above on and around Route 66 in New Mexico last spring, and I’ve been dinking with the novel ever since we got back.

frontcoldwatercover

When I started this project, I swore I wouldn’t self-publish, but the publishing industry has changed so much since then that self-publishing now requires less financial risk and far less annoyance than shopping a manuscript. I can go through Amazon to self-publish electronic and paperback editions without spending a dime. All I’m out is time — and less of it than I’d spend writing queries and copying manuscripts and standing in line at the post office to send them to people who may not bother reading them anyway. A big publishing house could probably sell more copies, but I don’t have the patience to read a thousand rejection slips before I find the right publisher. If some big-deal publisher reads it and likes it, we’ll talk.

I’ve spent most of the past 24 hours formatting the manuscript to Amazon’s specs, designing a cover, reskinning TumbleweedMotel.com, printing a proof, and uploading the trailer to YouTube.

I’ve also been busy drawing illustrations for the past couple of weeks:

 

freedsgarageweb

swinneysweb

graveweb

milagromirrorweb

tumbleweedweb

fridgeweb

shrineweb

jackrabbitweb

signsweb

casadejesusweb

Watch this space. I’ll keep you posted on the process and all the stuff I learn as I go.

 

Emily

Relighting the darkness

Ron and I got back a few hours ago from Tucumcari, where I spent the better end of a week painting what I hoped would be a photorealistic mural depicting some of the neon signs that once glowed along the shoulders of Route 66 in Tucumcari and San Jon.

I’ll leave it to you to determine whether I lived up to my Robert-Bechtle-inspired goal:

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Here’s the work in progress, in case you’re interested:

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And here’s a tutorial breaking down each step in this technique, which is ridiculously easy:

Step 1: Use chalk to draw a rough sketch on a black background.
Step 1: Use chalk to draw a rough sketch on a black background.

Step 2: With a stencil brush, create a glowing effect by tracing the chalk lines with paint. Use a pounding motion to apply a quick layer of paint along the lines, then come back and pick up some of the paint you just applied, using the same pounding motion to diffuse it toward the edges.
Step 2: With a stencil brush, create a glowing effect by tracing the chalk lines with paint. Use a pounding motion to apply a quick layer of paint along the lines, then come back and pick up some of the paint you just applied, using the same pounding motion to diffuse it toward the edges.

Step 3: With the "glow" applied, come back with a flatter brush and paint a black line where each neon tube will go.
Step 3: With the “glow” applied, come back with a flatter brush and paint a black line where each neon tube will go.

Step 4: When the black dries, paint the "tube" over it, leaving a black hairline border all around it. (This should literally be the width of a hair.)
Step 4: When the black dries, paint the “tube” over it, leaving a black hairline border all around it. (This should literally be the width of a hair.)

Step 5: Paint a very light-colored line down the middle of each neon tube to give the illusion that current is moving through the tube and lighting it up.
Step 5: Paint a very light-colored line down the middle of each neon tube to give the illusion that current is moving through the tube and lighting it up.

As I do with every mural project, I learned some lessons.

Lesson 1: When working on a gravel or concrete floor, wear rubber-soled shoes if you intend to be on speaking terms with your feet and hips the next day.

Lesson 2: If you have to kneel to reach any part of the mural comfortably, a foam-rubber gardening mat is your best friend.

Lesson 3: Leave enough room between the bottom of your design and the ground to allow clearance for your elbow so you don’t have contort your body into awkward positions to paint.

Lesson 4: A mahlstick will help keep you from smudging the paint and can be made easily from a half-inch dowel with a chair tip on the end, but make sure you use a rubber chair tip rather than plastic so it won’t slip while you’re using it.

Lesson 5: Interior latex does not like desert air and will turn into a gummy mess on the brush while you’re painting. Regular craft paint works much better.

Emily